Books published by publisher Pinata Books

Emilio is not just the new kid on the block, he's new to the entire country. He and his family have just come from Central America to Houston, and everything is terribly different in the big city -- unlike anything he had ever imagined. Uncomfortable with his looks, his size, his unfamiliarity with everything, Emilio shrinks into the shadows in his classes. He does find friends among other immigrants, and he tries to keep out of the way of the rough crowd. But only when his teacher introduces him to the world of numbers does he begin to find himself. Yet there is danger even in embracing the world of math studies, too, and Emilio once again faces hardship and isolation. Emilio is a tale of overcoming fear of the unknown to adapt and prevail over circumstances through will and perseverance. As Emilio makes his own way in this new world, his trials, failures, and successes become a model for all young readers who would accept and embrace responsibility for their own lives.

Salvador raced home from school to share exciting news with his abuela: he made an A+ on his science test! But at home, he learns that his grandmother needs his help. She is going to the doctor and wants her grandson to interpret for her. Abuela is nervous because she has never been to a doctor in the United States. In El Salvador, she either saw a curandera or drank te de manzanilla when she felt sick. When he learns that none of the physicians speak Spanish, the boy realizes that he is completely responsible for making sure the doctor understands his grandmother and that she understands his instructions! But in spite of his help, the visit does not go well. The doctor rushes in and out. He doesn't listen to Abuela. And he tells Salvador that she should not eat so much Mexican food! Abuela is so upset that she threatens not to take the medication the doctor prescribes! What can Salvador do to help her? In this engaging bilingual picture book for children ages 4-8, a young Salvadoran boy dreams of becoming a doctor who speaks both English and Spanish so that patients like his beloved grandmother aren't afraid to visit the doctor. Paired with lively, colorful illustrations by Victoria Castillo, this book will encourage children to think about their own futures as well as the role their culture can play in helping the community.

Lupita is excited about dancing la raspa, a Mexican folk dance, with her first-grade class at a celebration of Children's Day. But she's devastated when she learns right before the show that her partner Ernesto sprained his right ankle. She had been practicing for weeks. And now her family won't get to see her, swishing and swaying in her beautiful dress full of colorful ribbons. Lupita sadly watches the other dancers from backstage behind the blue velvet curtain. But suddenly, she finds herself on stage, in the spot where she and Ernesto should have been. She begins to dance the routine she knows so well, holding her arms out to an imaginary partner, and almost flees when the audience laughs at her. But the sight of her mother encourages her to be brave. She continues the dance, becoming the star of the show at least in the eyes of her proud teacher and parents.

"Sixteen-year-old Martha and her mother move constantly, never staying anywhere for long. So she knows better than to ask if they've been evicted again when her mom says they're going on a "vacation" to meet the grandmother Martha didn't know existed.Laredo, Texas, is like no other city she has seen. Driving past businesses with Spanish names and colorfully painted houses with burnt lawns, Martha can't imagine her mother living somewhere so … Mexican. At her grandmother's pink house, she's shocked and hurt when her mom abandons her, even though a part of her had been expecting it.Suddenly Martha must deal with a way of life that is completely foreign. Her grandmother doesn't speak English, so communication is difficult, and she's not the typical, sweet grandma who dotes on her grandchildren. Even weirder, it turns out that her grandmother is revered as a healer, or curandera. And there are tons of cousins, aunts and uncles all ready to embrace her!At her new school, Martha can't be anonymous like before because everyone knows she's Doña González's granddaughter. Meanwhile, a girl who has it out for her makes things unpleasant. As Martha struggles to adjust to her new life, she can't help but wonder why her mother left Laredo. No one is willing to discuss it, so she'll have to unravel the secrets herself. "

"Today is Butterfly Day!" Julianita excitedly tells her grandfather as they make their way down Carmen Street to school one morning. Today is the day Julianita and her friends have been waiting for--they're going to learn about monarch butterflies. But what's even more thrilling is they're each going to receive their very own caterpillar to raise! When Julianita gets hers, she names him Tiger because of his striking yellow and black stripes. Ms. Rodríguez teaches her students all about the monarch. But Julianita already knows that they fly south thousands of miles every winter because her grandfather remembers seeing the beautiful monarchs in his village in the highlands of Mexico. As the children feed and care for their caterpillars, they anxiously anticipate the transformation from caterpillar to chrysalis to butterfly. When Tiger finally emerges from his chrysalis, Julianita doesn't want to let him go. She worries that he will get lost on his way to Mexico. "Tiger knows the way to Mexico because it's in his heart," her Abuelito reassures her. She feels sad to see Tiger fly away, but Julianita knows that someday, she will follow him to her grandfather's magical Mexico. Paired with April Ward's charming illustrations that depict Julianita's neighborhood--her home on Carmen Street, the bench where Abuelito rests in Palo Verde Park, her parents' store that sells everything in the whole wide world--this book by award-winning author Monica Brown is sure to entertain and educate kids ages 3-9. This is a perfect choice for children learning about insects and the forces of nature.

Julia, they're already warming up. Hurry! Cheito says to his little sister as they rush to their bomba class. Cheito is a natural on the drums, but Julia isn t as enthusiastic about dancing. Julia tries to imitate the best dancer in the class, but her turns are still too slow, her steps too big. She just can't do anything right! When the instructor announces the younger students will be participating in the bombazo and performing a solo, Julia is terrified. When it s her turn, she takes a deep breath, closes her eyes and focuses on the beat of the drum. As she dances, Julia notices that the drums are actually talking to her. Feeling braver, she stops worrying and trying so hard. Instead, she loses herself in the rhythm of the bomba drums and enjoys herself! Introducing children and adults! to the Afro-Latino tradition of bomba music and dancing, author and educator Raquel M. Ortiz shares another story for children ages 5-9 about her rich Puerto Rican heritage. With lively illustrations by Flor de Vita that aptly express Julia's frustration, fear and joy, this book will help children understand that practicing whether dance steps, dribbling a ball or playing a musical instrument yields results!

Readers will treasure this bilingual picture book about the transmission of musical heritage Dust-covered boxes, old and forgotten furniture, and discarded treasures intrigue a young boy exploring his grandfather's garage. In the midst of this mine, he makes a discovery more fascinating than treasure: a guitar with a neck rising like a black swan. When Tata opens the guitar case that once belonged to his tata, a wealth of musical memories entrance the boy as the sound of the guitar strings transform musty moths into beautiful butterflies. Tata tells the boy about the posadas at Christmas, birthday melodies and he even shares his memory of a special moonlight serenade. As his fingers glide along the frets, Tata paints the boy a picture of a world long-past. And with his grandfather's help, the boy will learn to create his own musical memories for generations to come. This bright bilingual picture book about the magic of musical tradition will delight readers of all ages.

In his junior year, seventeen-year-old Abraham learns how to drive a stick shift. He falls in love for the first time. And he has been in three fights and suspended twice, all before Thanksgiving. His grandmother and her girlfriend, the ones who have raised him, fear for his life and the hard future that awaits him. "He needs a father," his grandmother says. "He needs a man. I can't do this, Becky. We can't. Not on our own."Soon, his Uncle Claudio the son with a fat police file who has hurt his mother so many times is back in the house. Determined to make a man of his nephew, he takes the boy to the gym and shows him how to use free weights and become bigger and stronger. Meanwhile, Abraham's feelings for his friend Ophelia grow, and she tries to understand why he fights. "This will end badly," she warns. "Nothing good can come from this." At school, Abraham learns about genetics, and he wonders if people are born bad. Is it in their DNA? Was he born to punch and kick and scream and fight and destroy things because of the genes in his body? Is that what happened to his father? All he knows is that his father is dead and his mother is gone. In Joe Jimenez's striking debut novel for teens, a young man struggles with his family's refusal to talk about the violence that has plagued it and what it means to become a man. Does a boy need a father to become a good man?

"Do you know what a stereotype you are?" Jessica asks her son. "You're the existential Chicano." Fourteen-year-old Victor has just been released from the hospital; his chest is wrapped in bandages and his arm is in a sling. He has barely survived being shot, and his mother accuses him of being a cholo, something he denies. She's not the only adult that thinks he's a gangbanger. His sociology teacher once sent him to a teach-in on gang violence. Victor's philosophy is that everyone is racist. "They see a brown kid, they see a banger." Even other kids think he's in a gang, maybe because of the clothes he wears. The truth is, he loves death (metal, that is), reading books, drawing, the cartoonist Lalo Alcaraz and the Showtime series Weeds. He likes school and cooking. He knows what a double negative is!But he can't convince his mom that he's not in a gang. And in spite of a genius girlfriend and an art teacher who mentors and encourages him to apply to art schools, Victor can't seem to overcome society's expectations for him. In this compelling novel, renowned Chicano writer Daniel Chacon once again explores art, death, ethnicity and racism. Are Chicanos meant for meth houses instead of art schools? Are talented Chicanos never destined to study in Paris?